A Swingogram Representation for Tracking Microrhythmic Variations in Jazz Performances
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Discussion
In the figures above, we show the piano-roll, swingogram, and tempogram of a solo section from the 1961 recording of "Down Under," with solo trumpet player Freddie Hubbard playing together with drummer and bandleader Art Blakey. At an average tempo of around 146 BPM, the ride cymbal swing ratio exhibits a slightly wavy variation around 3.5. In constrast, Hubbard stays at the other end of the swing-ratio range and plays his onbeat onsets in a laid-back fashion behind the beat. His offbeats, however, synchronize very well to Blakey's offbeats most of the time as hypothesized by Friberg [5].
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References
- Christian Dittmar, Martin Pfleiderer, and Meinard Müller
Automated Estimation of Ride Cymbal Swing Ratios in Jazz Recordings
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Improving Rhythmic Pattern Features Based on Logarithmic Preprocessing
In Proceedings of the Audio Engineering Society (AES) Convention, 2009. PDF@inproceedings{GruhneD09_LogLagACF_AES, author = {Matthias Gruhne and Christian Dittmar}, title = {Improving Rhythmic Pattern Features Based on Logarithmic Preprocessing}, booktitle = {Proceedings of the Audio Engineering Society ({AES}) Convention}, address = {Munich, Germany}, year = {2009}, url-pdf = {http://www.aes.org/e-lib/browse.cfm?elib=15013}, } - Fernando Benadon
Slicing the beat: Jazz eighth-notes as expressive microrhythm
Ethnomusicology: 73–98, 2006. PDF@article{Benadon06_SwingRatio_EM, title = {Slicing the beat: Jazz eighth-notes as expressive microrhythm}, author = {Fernando Benadon}, journal = {Ethnomusicology}, pages = {73--98}, year = {2006}, publisher = {JSTOR}, url-pdf = {https://www.jstor.org/stable/pdf/20174424.pdf}, } - Anders Friberg and Andreas Sundström
Swing Ratios and Ensemble Timing in Jazz Performance: Evidence for a common Rhythmic Pattern
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